Yamaha CL5 Digital Console
Analog Style Intimacy
Clear visual continuity from the Centralogic section’s physical faders to virtual on-screen controls via the console’s elegantly curved panel matches the unambiguous directness of analog console channel modules. Any of the console’s input and output channels can be instantly assigned to the Centralogic section in 8-channel groups.
Selected Channel – Another Industry Standard from Yamaha
The Selected Channel display provides a comprehensive view of the many controls and functions available for the currently selected channel. The corresponding physical controllers to the left of the display are labeled and laid out in the same way as the on-screen controls, for confident access and operation. The CL series includes a number of refinements to this now-standard interface for unprecedented operating ease.
Newly Designed Faders
No detail of form or function has been overlooked, right down to how the curvature of the elegant fader knobs comfortably fit the fingers at any angle. The fader knobs even have non-slip inserts that provide ideal friction for smooth, slip-free fades. Visibility is important too, so the knob edges are sculpted to provide a clear view of the fader scale from just about any angle.
Editable Channel Names and Colors
Editable channel name displays above each fader automatically switch to a larger character size for short names, and show pan and fader values as well. Below each channel name display is a color bar that illuminates in any of eight selectable colors, the same as those used in the central touch screen, for at-a-glance channel and group identification. Brightness can be adjusted for optimum visibility under any ambient lighting conditions.
Direct Access to the Parameters You Need
The User Defined Keys provided on Yamaha digital consoles are already a standard. The User Defined Knobs provided on the CL series consoles will quickly achieve the same status. Just about any of the console’s variable parameters can be assigned to the four User Defined Knobs for direct, instant access. Another advanced control feature is Custom Fader Bank selection, allowing the faders in each section to be instantly reordered as required.
Harmony in Form and Function
The sweeping form of the CL consoles is not only elegant, but it provides the best possible view of all controls and displays from the operator’s position. The visual continuity from the Centralogic faders to the display is seamless. The hand rest is genuine oak with a gorgeous ebony finish that matches the visual and tactile sophistication of the overall design.
Scalable, versatile network capabilities
Network capabilities are rapidly becoming fundamental and indispensable in today’s fast-paced world of digital live sound. CL series consoles feature separate console and I/O rack components that communicate via the Dante™ network audio protocol, allowing fast, efficient design and deployment of capable systems from the most basic to the dazzlingly complex. The ability to add Lake® processing via expansion slots also adds to the system’s versatility and adaptability to the widest range of mixing needs.
Creating the Ideal Natural Sound Platform
The full impact of the most advanced digital audio technology available has been applied throughout the CL series to deliver natural sound that provides a perfect foundation for the artist’s and engineer’s imagination. This type of sonic quality cannot be realized through specifications alone. Repeated listening evaluations and refinements by some of the most reliable ears and respected minds in the business are an indispensable part of the process. The CL series digital mixing consoles are proof that the time and effort involved have been well spent.
The Sound Is In the Details
The challenge begins right from the console’s inputs. In order to achieve the required level of sound quality, individual components, power supply, grounding, circuit layout, mechanical construction, and countless other details of the initial input stages must be selected and designed with the utmost care. Listening evaluation becomes an important part of the development process right from this first stage as well. Changing even a single electronic component can alter the sound in unexpected ways, and the tiniest variations must be noted and evaluated as development proceeds. Extreme measures have been taken to maximize AD and DA conversion performance as well, right down to making detailed spectral analyses of the AD/DA master clock and adjusting the FPGA clock signal routing so that the most natural, musical sound is achieved. Another critical part of any audio system is the power supply. Of course the capacity of the supply is important, but so are the types of capacitors used, and the grounding must be engineered to ensure the lowest possible impedance. The resultant sound is an eminently natural representation of the input signal, providing an ideal foundation for processing and effects that will lead to the final, polished sound.
The ability to set up even complex systems quickly and easily is another benefit of Dante networking. In most cases devices on the network are recognized and set up automatically. And since patching operations that usually require a separate computer can be carried out directly from the CL console, changes to the initial setup are painless as well.
Dante also makes it easy to maximize system reliability. Star networks allow the use of redundant primary and secondary lines for each device, for the utmost reliability in critical applications. With this type of setup a malfunction in a cable or other network component won’t bring the whole system down. The show will go on.
Full Integration of FOH and Monitor Control
Multiple CL series consoles can share control of the same I/O rack unit, allowing unprecedented system flexibility and efficient use of system resources. A new Gain Compensation function adds the ability to combine FOH and monitor control via a single network, for comprehensive digital live sound integration.
I/O Rack Unit Sharing with Gain Compensation
One obvious drawback of connecting multiple consoles to a single I/O rack unit is that gain adjustments made from one console can cause unexpected gain changes at the other consoles. The Gain Compensation function implemented in the CL consoles ensures that when the analog gain stage is adjusted from one of the consoles, corresponding compensation is automatically applied at the digital stage so that the level sent from the I/O rack unit to the connected CL consoles remains constant.
Digital Gain Control
Gain compensation applied after any initial analog gain levels are set is carried out entirely in the digital domain. Digital gain control is another original CL series feature that contributes to extraordinarily smooth, efficient operation and integration of the entire system.
Premium Rack Brings Studio Standards to the Live Stage
As the name implies, “virtual racks” provided in the CL series consoles let you combine signal processors you need for your application in one easily accessible location, much like traditional analog outboard racks. The new CL series Premium Rack can accommodate up to eight instances of the six expressive EQ and dynamics effects provided, including the Rupert Neve Designs Portico 5033 equalizer and Portico 5043 compressor/limiter. The ability to use some of the most highly regarded studio effects in live mixes can help you deliver unprecedented sonic quality in any venue.
Effect Rack With More Than 50 Effects
In addition to the Premium Rack described above, the CL consoles feature an Effect Rack that allows simultaneous use of up to 8 effects from a selection of 46 ambience effects and 8 insertion effects, all of outstanding quality. Although a separate EQ rack is provided for the output buses, any of the 8 effects in the Effect Rack can be replaced by graphic EQ units as needed.
32-channel Graphic Equalizer Rack
The CL consoles also feature a GEQ rack that allows graphic EQ to be inserted into the output buses as required for room equalization and other functions. Up to 16 31-band GEQ units can be mounted in the rack for simultaneous use, and those GEQ units can be individually switched to Flex15GEQ mode, effectively providing two EQ channels that allow up to 15 bands to be used at a time. With a full rack of GEQ units all functioning in Flex15GEQ mode, you have a total of 32 GEQ channels for extensive equalization capacity.
A Comprehensive Range of Valued Devices
VCM technology delivers refined, musical tonality in the outstanding lineup of devices provided in the CL series Premium Rack and Effect Rack.
– Portico 5033/5043
These devices immaculately model the full sonic depth and breadth of the original analog equalizer and compressor/limiter modules by Rupert Neve. They are not only ideal for adding first-class studio-quality processor sound to your mix, but are also remarkably easy to set up for optimum effect. Merely inserting these outstanding models in the signal path can enhance the sound.
A studio standard that is ideal for a wide range of applications. It even features a RATIO “ALL” button that simulates the effect of engaging all of the ratio buttons on the original.
This is a model of one of the most widely used optical studio compressors from the 1960’s. The distinctive and highly regarded compression and release characteristics of the original are recreated with remarkable precision.
The classic studio equalizer that is the basis for this model is still in demand today, highly prized for the musical response of its vacuum tube and transformer EQ circuitry, as well as its distinctive boost/cut characteristics.
– Dynamic EQ
An original dynamics processor that applies compression/expansion/limiting in response to level changes detected in specified frequency bands. A well designed interface makes achieving the ideal sound a fast, easy process.
– Comp 276
This model is a composite of several analog compressors that were popular in recording studios in the 70’s. Anyone who is familiar with the originals will recognize the characteristic punch and fatness this device delivers.
– Open Deck
Here’s a unique effect that models both the analog circuitry of well-known professional tape decks plus the characteristics of the tape used with them. You can simply choose a deck that offers the sound you need, or combine different recording and playback decks for a range of useful variations.
– Comp 260
The compressor/limiter modeled in this device was all the rage in the late 70’s, featuring solid-state RMS level detection circuitry and VCAs for level control. The sonic signature of this model is unmistakable.
– EQ 601
For a sweet analog EQ sound, this model recreates a popular circuit topology from the 70’s.
Two Ways to Record Live
CL series consoles offer two live recording solutions: convenient 2-track recording direct to USB memory, and high-performance multitrack recording to a digital audio workstation via Dante. Whether it’s for a simple web upload, a commercial release, or just material to be used for a virtual sound check the next day, you have all the recording capability you need.
Seamless Integration with Nuendo Live for Serious Multitrack Recording
The Nuendo Live DAW application has been specifically designed for live multitrack recording, providing comprehensive control and overview for smooth operation under the most demanding live situations. An extension plug-in provides seamless integration with CL console features, such as channel names, markers, transport control, and more.
– Dante Virtual Soundcard
Dante Virtual Soundcard driver software enables direct multitrack recording to a Windows or Mac based DAW without the need for an audio interface between the console and computer. A high-performance DAW application such as Steinberg Nuendo Live can be used to record up to 64 tracks with studio quality and editing capabilities.
– Virtual Sound Check
DAW playback can be instantly patched to the CL console’s input channels so that multitrack recordings can be used for “virtual” sound checks when the performers aren’t available. Recordings of the previous day’s performance can be used for sound check on the following day!
More information about Nuendo Live.
Convenient 2-track Recording to USB Memory
2-track recording in mp3 format couldn’t be easier. Simply plug a USB memory into the USB connector on the front panel of the console and start recording. No other equipment is required. Of course playback from the USB memory is possible as well in MP3, AAC, and WMA formats, making it a convenient source for BGM or sound effects.
Expandable and Adaptable
Three Mini-YGDAI card slots on the CL consoles provide easy I/O expansion as well as extra processing capabilities. New additions to the expansion card lineup include an MY8-LAKE card that integrates Lake Processing, a staple in today’s live sound field, into the console, and a Dugan-MY16 card that adds the most advanced automated microphone cueing and gain control available.
New Remote Control Freedom
With the CL StageMix application, an iPad becomes a wireless remote controller that can be used to set up and operate CL consoles from anywhere on stage or in the audience seating area. There’s even a built-in iPad stay on the Yamaha CL5 and CL3 panels, providing a convenient mount for an iPad to be used for additional control functionality. There’s also the CL Editor application for computers running Windows or Mac operating systems, for both extended online operation and offline setup and editing. In addition to full Selected Channel and Overview display operation, the CL Editor facilitates scene data management, patch list editing, channel name editing, and much more. It’s even possible to use the CL StageMix and CL Editor applications at the same time.
Increased Power with Lake Speaker Processing Power
Lake processing has become a standard for loudspeaker processing in live sound applications. An alliance between Yamaha and Lab.gruppen brings Lake Processing right into the CL series mixing consoles, via the MY8-LAKE expansion card. The MY8-LAKE card provides 8-in/8-out in Mesa (system EQ), 4-in/12-out Contour (crossover), and 4-in/4-out and 2-in/6-out Mesa & Contour (combination) modes. Although primarily intended for speaker processing, the asymmetrical Mesa EQ can also be very useful on input sources. The Lake Controller application running on a compatible computer allows management of multiple Lake devices in the system, while close compatibility with Smaart® Live contributes to smooth, efficient speaker system tuning.
Automatic Gain Control for Up To 16 Microphone Inputs
The Dugan-MY16 automatic mixer card, developed in cooperation with Dan Dugan Sound Design, provides smoothly automated microphone cueing and gain control for up to 16 input channels. Rather than using gates to open and close channels, the Dugan system uses gain sharing and fades for smooth, natural level changes.
For applications that require a large number of input channels, CL consoles can be cascade-connected via I/O cards such as the MY16-AE installed in their Mini-YGDAI expansion card slots.
Features Optimized for Live Sound
Although there are as many ways to use a mixing console as there are sound engineers, extensive feedback from professionals in every possible sector of the business has made it possible to provide a feature set that is ideally suited to the real-world needs of demanding live sound applications.
300 Scene Memories
Up to 300 complete console setups can be stored as “scenes” and instantly recalled whenever needed. Recall Safe, Focus, and Preview* functions are also provided.
* Preview to be supported in an upcoming firmware update.
Versatile Input and Output Delays
Up to 1000 ms delay on input channels facilitates precise microphone phase compensation, while up to 1000 ms delay on the output ports is useful for speaker distance compensation and room tuning.
Ample EQ and Dynamics Processing
All channels feature 4-band parametric EQ and two dynamics processors (one dynamic processor on outputs). The processors include an HPF for every input, and one also functions as a highly effective de-esser with advanced processing algorithms that also offers a bandpass mode.
16 DCA Groups
16 DCA groups allow flexible grouping of multiple input channels for simultaneous control.
8 Mute Groups
Multiple channels can be assigned to any of 8 mute groups for instant muting or un-muting, with a new Dimmer Level function.
16 User Defined Keys
A large number of console functions including Sends on Fader, Tap Tempo, and Set by Sel can be assigned to 16 User Defined Keys for instant hands-on access.
Multiple User Key Sets
Limited access to CL console functions can be provided for less experienced operators and accident prevention via multiple User Key sets that can be stored in the console itself* as well as on USB memory.
* To be supported in an upcoming firmware update. .
5-in/5-out GPI Interface
A 5-input/5-output GPI interface allows the CL consoles to respond to input from external switches, as well as to transmit on/off status to external devices.
* GPI functionality to be supported in an upcoming firmware update.